Method and silence in painting
I have a method that I would move closer to the explosion,
to a deliberate wasting, a wasting of energy.
Things come, arrive, they overlap.
It is not a single painting but fifteen others below.
All the work I produce is a work of burying.
I try to let the silence happen in order to show what is really essential.
Subterranean strata are major to me because they show the structure.
It is more than what could lead to the look.
That is what would lead again to a memory.
A painting, it is a little bit of a “story” and its memory.